须臾尘埃

文 | 胡文丹阅读1944
胡文丹:我的第一部分创作,一段时间里一直在一张空白的画布上描绘孤单单的一件事物,保留它最原始最简单的形式,这些事物多多少少都和我所想要表达的情绪有关。慢慢的我开始专情于盆栽这个题材,盆栽本身就是一件艺术品。但我最感兴趣的却是它对于植物自然形态重新再造,违背了植物正常生长状态,被迫达到人们审美情趣中所理想的景致。从《蓝色圣母》开始我的人生进入了另一个阶段,创作也将紧跟其后。生命真是奇妙!以前我的绘画中从来就没有出现过人物,而现在我在一个生命的面前将无法避免地更加关注人文、生命、时间这些主题,人生也许真的就是一场变幻莫测的旅行。

Hu Wendan: In the first stage of my work, I for a period of time painted lone objects on a blank canvas, keeping their most simple and primitive forms. Each of these objects, to some degree, was related to the mood that I sought to portray in my paintings. Slowly, I came to favor bonsai trees as my subject matter, as bonsai trees themselves are works of art. What I am most interested in, however, is the way in which plants or trees are re-formed into shapes outside what they would naturally be when forced to comply with human aesthetics. Starting with the “Blue Notre Dame”, my life entered another phase, and my work would of course follow. Life can be strange sometimes. Previously, a human form would never appear in my work, whereas now I focus my attention on humanism, life, and time. Perhaps life really is an unpredictable journey.

胡文丹
2015.09.10 18:13

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